Writing Fight Scenes?
Wednesday, September 29th, 2010I am extremely behind on my entertainment quota for the week. I haven’t watched any movies, seen the new episode of Dexter or really watched or worked on much of anything since my last post. I told myself that I would work on something tonight. But as you can tell from searching the archives, that’s usually a bitter lie. I’m working on a couple of scripts right now and both of them are at sort of exciting stages.
When I last left Red Hood, she was in the tail end of a bloody battle. I always wondered what fight scenes in actual movie scripts looked like. Does the writer describe each punch and kick? Or is there just some sort of text alluding to a fight scene? Or is there something that references another document (maybe a video) that describes the fight scene in detail?
The following is a small passage from a fight scene in Kill Bill:
“INT. HOUSEWIFE’S NICE HOME – DAY
The white woman and the black woman FLY into the center of the living room, CRASHING onto her coffe table in front of the sofa.
These two wildcats go at each other savagely, TUMBLING OVER the couch, clawing and scratching all the way, landing together on the plush carpet.
The HOUSEWIFE
KICKS The Bride, sending her CRASHING backwards into the small table where the phone, a note pad (for messages), and the mail is kept.
The Housewife scrambles up on her feet, but is caught by a
FLYING TACKLE from behind by The Bride that sends them both into……..
An ornamental iron and tempered-glass bookcase that has framed family photos, display toys, some African art, and a collection of painted commemorative plates depicting the negro experience in the American military. Starting with a plate featuring Cripis Atkins in the revolutionary war, negro troops in union blue during the civil war, Buffalo soldiers fighting Indians, the Jim Crow troops of the first world war, the colored troops of world war two, Korea, Vietnam, and finally Colin Powell….The Bride and The Housewife CRASH THROUGH all this reducing everything to rubble.”
I have to admit, the detail in this is kind of intimidating. Tarantino spends more time describing the surroundings then the actual fight itself. It’s sort of a mixture of describing it kick for kick but leaving it very open for interpretation. This is probably the best way of doing this. I’m guessing Tarantino did it this way because he wanted to leave certain aspects of the fight scene open to the imagination of those helping out on the project, maybe a fight coordinator or a stunt person or maybe even the actors. Or perhaps he just didn’t really care that much about certain details and wrote whatever the hell he wanted. He talks about kicks, but doesn’t really go in to much detail about it. What type of kick is it? Where on her body does she get kicked? I suppose these details don’t matter. We know the action and what the result is:
“The HOUSEWIFE
KICKS The Bride, sending her CRASHING backwards into the small table…”
Perhaps that’s all you need. But I guess every writer has to find their own way of doing things. As I stumble through my Red Hood fight scenes, my only hope is that I can write something that others can read and make sense out of.
All this talk of fight scenes has me thinking about where I left Red Hood. I’ll probably finish writing that scene when I get home.




