John Q. Phats Entertainment

You may remember that Censored was selected to screen at the SoCal Film Festival.  This morning they released the festivals schedule.  You can view the entire schedule here:
SoCal Film Festival Schedule
Censored is playing on 9/18/2009 in the 7:20PM block.  First of all, that’s a Friday, which is awesome.  I don’t know if it’s luck or what but Censored almost always gets put in the most awesome time slot.  It’s either on a weekend or later on in the night on a weekday.  For this festival you buy tickets for programs.  Each program has a different block of films.  Censored is playing in Program 10.  So if you want to go, be sure to buy tickets for Program 10.  I’m playing with:
9mm Brush
Couched
How to Train Your Pet
Jimmy String bean vs the Rock God of the Cosmos
Love Bombing
Make Art, Save World
Piper & Tupper – Hands Free Born to be Wild
Special Delivery
The Amazing Esca-ciser
The Family
Twirl
I know nothing about any of these, but they all sound amazing.  I’m probably going to be attending this festival quite a bit.  Mainly because it’s so close to me.  I’m kind of curious about what other people are up to in short film making. 
In other news, I reviewed the 5th draft of Do Nice Guys Finish Last.  There are still some minor cuts here and there.  It’s kind of frustrating being this close to the finish line, but what are you gonna do?  We’ll be done soon enough.  I definitely have to make notes on the new draft tonight.  I think this might it.  Watching it, there’s really not much else I can change or things that I’m really displeased with.  I think it has a nice pace, it’s funny when it’s supposed to be, and all the fat is cut.  It’s very to the point and moves along quickly.  I think that’s exactly how this short film should be.

The Internet at my house is back up.  I’m not sure how it broke, or what was wrong with it, but the Internet company had to send a signal through to fix it.  When you’re someone like me, losing Internet is one of the worst things that can happen.  Seriously, it was really bad yesterday.  Last night, I’m sitting there messing with it and a couple times in the middle of it I thought to myself “I can fix this, I just need to look it up on the inter-  …..O yeah.”
I have a lot to talk about today.  Mainly, I want to talk about the new cut of Do Nice Guys Finish Last.  The way me and Gabe have been working on this is that he gives me the cut, I make notes on it, then hand them back to him to make the changes or corrections.  We are currently on draft number 4, soon to be on 5.  I have the 4th cut with notes on it all ready for him.  Once we have a final cut, we’ll do some color correction, and then transitions.  Transitioning from 1 scene to another is a big deal for this short film.  There are some scenes that make huge jumps in time in the same setting.  The only way to show that jump of time is through a transition.  It if goes from a straight cut, people are left sitting there thinking “What the hell just happened?”  I’m going to be doing some research on transitions later on this week.  I showed Do Nice Guys Finish Last to someone besides me and Gabe yesterday.  I was very happy to see that she laughed at all the right times.  She actually made a comment that really just pin pointed what I was going for.  She said “It was really funny, but it’s kind of true.”  That is exactly what I was looking for with this short film.  I wanted people to watch it and not only laugh because it was funny, but laugh because it was true.  Almost like a George Carlin stand up act.  What he says is hysterical, but the main reason it’s so hysterical is because it’s sort of true.  That’s what I was looking for.  I think maybe Do Nice Guys Finish Last is going to be better then I originally thought.  The audio and lighting are already all a step above everything else we’ve done.  I’m really looking forward to this being done and I can’t wait to start sending it to festivals.
On to the Project X news.  I got a script from the script writer last night.  I haven’t read it yet.  Something went wrong with the file format so I can’t exactly open it just yet.  But it’s awesome that I got it.  I should be getting another copy of it sometime today or tonight.  If this works out, this will be the first time I’ve directed something that someone else has written.  Actually, that’s not true.  I’ve directed one other thing that someone else wrote, but nothing really came of it.  So, it doesn’t really count. 
I’m still waiting to hear back from 3 other festivals.  I’m getting a little nervous.  The screening dates for those are pretty close already.  I figured I would have gotten some sort of rejection or acceptance letter by now.  I suppose if the film festival happens and my short film doesn’t play there, then it was rejected.

Last night, on the way home, 3 ideas for short films came to me.  I told myself that I would write them out after I was done working out.  I finished working out and out of habit I turned on NHL 09 for Playstation3.  Midway through it’s start up, I realized that I wasn’t supposed to be playing NHL 09 and that I was supposed to be writing out some scripts.  I convinced myself to play just one game, which usually turns in to roughly 5 games.  I am so addicted to NHL 09, it’s not even funny.  Seriously, I’ve been playing that game for a year and I can’t stop.  NHL 10 comes out in 2 months and then it will all start all over again.  So, I start to play and I’m playing goalie mode and I’m not joking you, the computer scored like 4 goals on me in the time span of 1 real life minute.  Which is like 20 seconds in game time.  If you were in my kitchen at the time you would have heard:
“damn it………son of a bitch………SHIT!……….MOTHER FU- Screw this!”
 With that, I turned off the system and went upstairs and started writing.
I got a lot more out of writing those scripts then I would have gotten from playing NHL 09 for 4 hours.  I immediately sent one script to Chris and he really liked it.  It seriously is, the perfect short film for festivals.  It would run about a minute long, it’s funny, it’s quick, it’s clever, and it’s PG-13.  The best part is, is that I could probably shoot it in one day and edit it the next.  It’s a really simplistic and clever concept.  Maybe it will be something that I can pull off in between Do Nice Guys Finish Last and Project X.  I got the ball rolling on Project X.  Which needed to be done.  I looked at all of the information I had and just put it all together and sort of wrote out an outline.  Then I E-Mailed that to the script writer.  I’m excited to see how it comes out.  Also, I just got the new cut from Gabe, of Do Nice Guys Finish Last.  Needless to say, I’m glad that I suck at NHL 09 and that the computer saw it fit to destroy me.

So, the way this whole film festival thing works is that you sign up and pay the entry fee online.  They give you a confirmation number.  Then you ship them a copy of your short film on DVD or other format that they accept.  Printed on the DVD is the confirmation number that they gave you when you paid.  I have another DVD of Censored sitting around.  Should I send it to one more festival?  I’m still waiting to hear back from three others.  I was kind of hoping to spend money on Do Nice Guys Finish Last.  By the way Do Nice Guys Finish Last is going to be a pain in the ass to send out to festivals.  I was looking at some festivals the other day and for some reason I kept finding ones that had notes that said stuff like “We usually only accept films that would be considered PG-13.”  Do Nice Guys Finish Last is totally not PG-13.  I would say it’s probably R, if it’s anything.  It’s actually not that bad, there’s just a ton of bad language.  Really, there’s not that much bad language either.  There are a few f bombs here and there and one c bomb.  Censored I would say is PG-13.  It’s censored, that’s the whole point of it.  It looks like Do Nice Guys Finish Last might prove to be more difficult then I originally thought.  It’s an R rating and it’s going to run about 15 minutes long.  I’m sure I’ll find something though.  I’ll at least get it on IMDB.
I’m still really excited about the SoCal Film Festival.  There’s so much going on around it.  Apparently they are doing a few movie showings at the Huntington Beach Pier which is like 10 minutes from my house.  The fact that the festival is so close to me makes things much easier.  In the mean time though, I need to get to work on Project X.

First off, I would like to apologize in advance for this one.  I went on sort of a Harry Potter binge this weekend and watched all five movies over the course of two days and my brain is a little scrambled.  I can’t believe that after five movies, Ron still hasn’t made a move on that Herminy (did I spell that right?  Don’t really care.) chick.  Christ man, what do you need, a written invitation?!  Also, there’s clearly not enough drug use for this to be a movie about a bunch of kids.  Although, I’m convinced that, the divination teacher has got to be on something.  I wonder if there’s a deleted scene where she’s smoking out Dumbledore?  In all seriousness though, for what they are, those movies are amazing.  They are all really well done.  Pretty much every aspect of those movies is at the very least, great.  Anyway, sorry again.
In my last post I talked about an old short film that I did titled The Wake Up.  It really got me thinking about my first short film, Firework De La Muerte.  What a pile of crap that short film was.  It was roughly an eight page script with the same joke told four times.  Really, the joke wasn’t funny the first time and it sure wasn’t funny the 4th time.  For that one we shot in a department store which shall remain nameless, without asking anyone.  We just sort of got somebody with a red shirt and went with it.  That was gorilla film making to the extreme.  To be honest, nobody really cared.  If I was an employee making minimum wage, I don’t think I would really care either.  I think the worst part about Firework De La Muerte is that when it was done, I thought it was great.  But then when other people watched it, they didn’t laugh.  At first I was in denial.  Like there was something wrong with everyone else.  Finally, I realized that it really did just suck something awful.  It was kind of a slap to the face.  But it was necessary.  I remember the first time I watched it, without my head up my ass.  I just sat there watching it in absolute shock at how bad it really was.  After watching it, I actually said out loud.
“O my God……  That sucked.”
There is no place to see Firework De La Muearte, nobody will ever see it.  It belongs in the depths of a hard drive, where nobody will ever find it.  I think I might of actually deleted it off of my external hard drive.  I do still have the prop firework though, made of cardboard, that egg crate stuff you put on a mattress, and duct tape.  The prop was actually kind of glorious, I have to say.  It was a giant somewhat rocket shape covered in duct tape.
While Firework De La Muearte is an awful short film, it really was something that I needed to do, to get where I am.  Now, Censored is playing in festivals all over the place, I’m close to finishing Do Nice Guys Finish Last, and I have a lot of big and exciting projects on the horizon.  This sort of leads in to my next topic.  I finished up fancy new laurels for Censored:
      

Technically, the SoCal Film festival hasn’t happened yet, but we have been selected.

So, I’m now on Twitter.  I finally gave in.  I was looking for some actors and directors to follow but as soon as you try to think up that stuff, you draw a complete blank.  Normally I could name a string of them non stop for for 2 hours straight, but now, not so much.  I found Al Pacino.  I thought it was funny that Al Pacino tweets.  That’s just hysterical to me.
I made all these fancy new laurels on my lunch break at work that I wanted to post, but I left my thumb drive at work with Gabe.  I’ll post them on Monday.  I decided to make some myself just to standardize them and make them look good.  Right now, I probably should post some of that out take footage that I promised you all like 4 days ago, but instead I’m tweeting my ass off.  I’ll try to post it today, which means that it will show up tomorrow.  My video hosting site, Vimeo, takes a bit process videos.  Vimeo is a great idea.  Videos posted on it look clear as hell, there’s no stupid advertising watermark on your videos, and they give a certain amount of space per week.  It’s an interesting way of doing it and I think they do it so they can plan for the future and buy more space only if needed.  Here’s my thoughts.  Lets say they have 10 members and every week they give each one a gig of space.  Well, they know that every week, they have to have at least 10 gigs available.  Makes sense right?
Anyway, my Twitter URL is:
http://twitter.com/JohnQPhats
I have an app on my phone to work with it so I should be updating it while I’m on set.  It might be interesting.  I promise nothing though.

So, apparently I can see in to the future.  In my last post I talked about how great it would be to get in to the SoCal Film Festival.  Later that day, I got an acceptance E-Mail from the SoCal Film Festival.  I have freak luck like that sometimes.  Before shooting Nice Guys Finish Last, I needed a light kit.  The kit I wanted cost about $900.  As sort of a joke to my room mate I said
“I’m going to make $1100 today.”  
before I left the house.  So, I’m walking to the bank.  I decided to walk, for some reason.  I forget why.  I think because parking in my complex sucks and I already had a good spot.  So, I’m going to cross the street and the little blinky guy tells me it’s time to walk.  So I step in to the street and BAM it hits me!  Not an idea of how I’m going to make $1100, but a truck making a right turn.  I wasn’t really hurt, I was just shocked.  I was walking and then all of a sudden I was on the ground.  It sort of knocked me back and I fell back on to the sidewalk.  As I’m getting up, a guy is getting out of the truck with an “O shit” look on his face.  He comes running over to me and says
“O my God!  I’m sorry!  I’m Sorry!  I’m sorry!  Are you ok?!  O fuck!  I didn’t see you!  I’m so sorry!”
The guy was like physically shaking.  So I stand up and I’m a little confused.  I’m thinking to myself “What the hell just happened?  Who the hell is this guy?  What’s going on?” Finally, I put two and two together and realize what happened.  I tell the guy I’m ok and he’s still freaking out.  He looks back at his truck and back at me and says
“I’m so sorry!  You’re not going to call the cops are you?!  I can’t deal with the cops, my license is suspended because of a DUI!  Please don’t call the cops!”
I’m still a bit dazed, so I’m just kind of standing there confused.  Then he says
“Look, I get these settlement checks every month from a job injury I got 3 months ago.  I’ll sign the settlement check and give it to you.  Then we can both just walk away.  OK, sound good?”
Before I could say anything he was handing me the check and shaking my hand.  In all honesty, I probably wouldn’t have taken it if he had let me speak.  I had no injuries, it was a mistake, no big deal.  I checked later and there was literally, not a scratch on me.
I look down at the check as he drives off and it’s for $2253.43.  I figured somehow, the universe conspired to help me, so I donated $1153.43 to my sister for my niece, for a college fund or something. 
Weird, huh?  That’s sort of how I felt about The SoCal Film Festival post yesterday.  Maybe I should try that more often.
Man!  It sure would be great if Kevin Smith, David Fincher, Peter Jackson, Sam Rami, Quentin Tarantino, Robert Rodriguez,  or Guillermo del Toro E-Mailed me and offered me a sweet ass paid internship!  Or if I got invied to help out on Dexter, my favorite show of all time!  You know what, I would settle for an E-Mail interview with Michael C. Hall or really anyone on that cast.
I think part of my success with film festivals has to do with how easy I make it for them.  First of all Censored is 3:30 seconds long.  I note that on the DVD I send out, along with the title, my name, what region DVD it is, what film festival it’s for, and the tracking number they give me when I pay online.  I also put another sticker on the back of the case with the title, my name, my phone number, and the tracking number again.  And I use very stylish Simpons stamps.  My goal is for them to take one look at the DVD and not have to do anything extra.  I want them to open the envelope, take one look at it, pop it in to the DVD player, and go.  No looking up information and no wondering what the DVD is, who made it, and why they have to watch it.  No extra steps.  Festivals can sometimes get thousands of DVD’s, why would you make it any more difficult for them?  You’re only asking for a rejection letter if you do. 
Wow, I went way off course.  I originally started this post to talk about the SoCal Film Festival.  I just mailed my screener copy to them.  According to my records, the festival takes place from 9/14/2009 – 9/23/2009.  I haven’t gotten the exact schedule or location yet, but I will be sure to let you guys know when I do.  I have a lot of friends in this area who couldn’t make it to the LA shows.  Which is totally understandable.  I’m one of the few insane OCers that thinks that LA “Isn’t that far.”  It will be nice to be so close to a festival for a change.  I’m really looking forward to it.
Here is the link to the festivals website and I hope some of you can make it:
SoCal Film Festival 

I watched 2 episodes of Science of the Movies last night.  That show is a big reminder of what I don’t have access to.  One episode was all about different moveable camera mounts.  There was this gigantic camera mount that had 12 points of axis that you could program to do motions over and over again.  It’s basically so you can layer two shots on top of each other.  Since the motion of two shots match perfectly, the two shots together look seamless.  I honestly had no clue that’s how it was done.  All of my split screen shorts were pretty much that, minus the motion.  I didn’t realize it, but I kind of stumbled on the early meathod of special effects.  That’s kind of cool.  I find that I do that a lot actually.  It’s kind of weird.  I don’t know if I hear about it somewhere else and subconsciously make myself feel like I thought of it, or if I really do come up with concepts that just happen to match what’s already out there. 
I am meeting with a script writer today to discuss Project X.  By spreading the word through my contacts, I’ve actually got some people interested.  Now all I need is a roughly $5000, an HD Camera, locations, equipment, skill, and food.  Huh.  Anyway, yeah, I’m going to be focusing on that.  It’s tough to juggle everything though.  Nice Guys Finish Last is almost done.  That’s going to need to go out to festivals and Censored is still going.  By the way, I submitted to something a while back called the SoCal Film Festival.  I really hope I get accepted to that.  That would be awesome.  Mainly because they would be holding it right near my house.  I could probably go to every night of that if I wanted to.  It’s literally a 10 minute drive vs an hour+ drive to the festivals Censored has been accepted to.  I would really like Censored to screen somewhere outside of California.  Don’t ask me why, I just think it would be cool.   Every time you get accepted to a festival they send you these little acceptance things:

Like that guy right there.  I suppose can put those on the DVD’s that I send out to other festivals as sort of a selling point.  Imagine if I get selected for all 4 of the other festivals I entered?  That will be 7 total.  That will look kind of insane.  You also get one if you’ve been nominated for or win an award at a festival.  Strictly Background had like a bajillion acceptance ones and 6 Best Documentary Award winners.  These things are actually called Laurels.  Every festival does them.  At least as far as I can tell, every festival does one.  I think they are kind of official and regal looking.  It’s kind of neat to have these.  Sort of like a digital trophy.  Hopefully when Nice Guys Finish Last is done it gets it’s own collection of them.

EDIT(7/29/2009- 3:32PM) – I just got an acceptance E-mail from the SoCal Film Festival.  That kicks so much ass.  I’ll give you guys all the details in tomorrows post.

Is anyone planning on going to the AOF ?  I think I’m going to check it out tonight.  I’m not sure what I’m going to see, but I’ll see something.  The first night I went we got a huge bag of SWAG.  Everyone loves SWAG.  Lets face it, if it’s free, someone will take it.  There’s a sign near my house advertising free dirt.  Anyway, the SWAG was mainly postcards of other short films.  There was a ton of them.  In the mix was also a DVD for a movie called Long Pig: Unrated Extreme Edition.  I’m going to take a guess here and say that it’s probably amazingly gory.  An independent film that’s unrated.  O yeah, there’s going to be some crazy gore in it.  I’ve seen some pretty intense stuff.  I really feel like, if I can watch Irreversible, I can probably make it through anything.  It’s not that Irreversible was gory, it was just hard to watch because of the context of it.  That movie was unrelentingly brutal.  I’m reading reviews of Long Pigs now.  Apparently, there’s an “anus scene.”  I’m not sure how I feel about that.  Revolted and curious at the same time I suppose.  I’m not much of a horror buff, but maybe I’ll check it out.  Or I’ll give it to my neighbor to check out.  He loves gory films. 
Gabe should be bringing my hard drive tonight with the scene we shot last Thursday for Nice Guys Finish Last added.  I really wanted Nice Guys Finish Last to be under 15 minutes.  I bet it’s probably going to run a little over 16 minutes.  Which isn’t bad.  If there’s no fat and every scene progresses the story line, I have no problem with that.  I suppose it is what it is.
I’m looking in to renting a theater to show Nice Guys Finish Last.  I thought it would be cool to have a sort of theater showing and get some feedback before I send it off to festivals.  I found one for $650 for one night.  If I charged $10 per person, I would have to have at least 65 people show up to break even.  I know, that I know that many people but weather they would be available or not is a whole different story.  I found another one that rents by the week and that was $1000 for 4 shows.  So, I would need to get 100 people there from Thursday- Sunday.  That’s actually not that bad.  I bet I could pull that off.  O wait, that’s just for a stage, not a screen and all that other crap.  Damn.  I bet I could get a projector though and rig something up.  In fact, I know a guy that has a projector and Gabe is in a band.  Bands have speakers and stuff, right?  I’ll have to get back to you on this one.  Or maybe I can have the actors act it out in real time on stage.  Wow, that’s a terrible idea.

Censored played at the Action on Film Festival on Sunday (7/26/2009).  It was a lot of fun.  I got a goody bag filled with stuff.  They invited film makers to come up for a Q and A after the screening.  I went up and said
“If anyone has anything negative to say, I’m totally open to hear it.  Hearing what’s wrong with it is the only way I’m going to make a better film.  So, hit me.”
Too negative?  I didn’t get any negative comments, they were all very nice.  How did you think of that?  What did you shoot it on?  Will the DVD release be uncensored?  I enjoyed it a lot.  It kind of made me feel like a big shot.  I don’t know why, but sometimes, when I’m in the right mood, I love talking in front of a crowd.  I wasn’t nervous at all. 
During the showing, there wasn’t much laughter.  At first I started to feel badly about it, but everyone in the end clapped and one of the other film makers even told me it was great.  Maybe I misjudged Censored.  I really did think it was a laugh out loud comedy.  perhaps it’s not.  Maybe it’s one of those things that’s just kind of clever and entertaining.  I’m totally fine with that.  As long as people enjoy it.  It got a good applause at the end and like I said, nobody told me it was a God awful piece of crap or anything.  Maybe I’m a glutton for punishment, but I almost want someone to stand up one day and say
“That was the biggest pile of crap I have ever seen in my entire life.  You should die.” 
My response would probably be a raise of my eyebrows and a
“Wow, ok, thank you….I guess.”
Overall, I felt a little outclassed to be honest.  One of the film makers said that the budget for their film was $5000.  Censored cost me like $50 to make.  I have to say, the other shorts that showed, looked amazing.  Wilcox Sex Therapy had some nice lighting and cinematography and it was hysterical.  The actor (David Brainard) who played the sex therapist nailed it.  I actually went up to the director of Wilcox Sex Therapy, Daniel Gruen and told him that it was a great film.  It was very well done.  There was another film called The Condom Killer, that was stylized like a 1950’s detective story.  I thought it was awesome that they pulled it off.  It looked really good.  Despite feeling outclassed a bit by the other films, I had a great time.  I’m really glad they did a Q and A at the end.  That was really nice.
As for Nice Guys Finish Last, I’m really looking forward to seeing it with the new scene we shot last Thursday.  Once I get my hard drive back from Gabe, I’ll see about posting some of the out takes.
In a totally unrelated note, according to my home phones caller ID, The Staples Center called at random times in the night and left me 9 messages of a fax machine beeping.  The last one I answered this morning at like 6AM.  I know I’m a Ducks fan, but Jesus Staples Center, what the hell is your problem?