John Q. Phats Entertainment

Watching some of my old short films last night I’ve realized how far everyone involved in all of this has come.  Acting has gotten better, camera work has gotten better, lighting has gotten way better, editing has gotten better, and sound has definitely gotten much better.  I’m not really sure how we all got here.  I think we were all just committed to making a better product.  It was pretty much a process of refining.  We would try something else and if that didn’t work out, we would figure out a different way of doing.  For example, in The Train Wreck, the sound is horrible.  That’s because it was our first time using the boom mic.  We thought we would be smart and hold the boom mic low and aim it up rather then high and aim it down.  What we didn’t realize is that the boom mic would pick up EVERYTHING that went on with the actors feet.  You can hear every single footstep the actors took in that short film.  It’s really annoying.  The next innovation in sound actually happened on Do Nice Guys Finish Last.  In the last short film that we did Gabe complained that it had the sound quality of a porno.  So, we looked up some information on the Internet regarding sound for short films and found some pretty good stuff.  We spent probably about 15 minutes before each scene finding not only the right position for the boom mic but the right settings for the camera to match that.  I have to say that Do Nice Guys Finish Last is probably the best sounding thing we’ve done so far.  Which may be sad, but whatever, we’re getting there.  I guess my point is, is that…  I’m not really sure what my point is.  I guess I’m just writing.
I just got the new cut of Do Nice Guys Finish Last from Gabe.  I can’t wait to see it.  I think we are extremely close to a final cut.  Probably just a few changes here and there and we’ll be done.  Then, we can start doing color correction.  Which in all honestly, sucks.  Color correction is one of those things that you have to do, but really don’t want to.  Like returning your ex girlfriends DVD’s or going to a funeral.  It’s just lame.  Can’t modern technology take care of this for us yet?  Can’t you have two shots and click on a box that says “I want these two thingies to look like they are the same color”?  I mean, do we really have to spend hours fidgeting with some stupid little knobs to get it to do that?  We have satellites that can read a license plate from space, but we can’t do that?  Really?  It’s total bullshit, it really is.  I’m actually just trying to be funny.  Color correction really isn’t that bad.  It’s just kind of tedious.  For some reason, Gabe is actually excited about it.  Maybe he’s just tired of my nit picky editing notes.  The last one was pretty bad.  I think there was a portion where I cut like .5 of a second off of a shot.  I’m pretty sure when I’m coming up with stuff like that, we are pretty damn close to a final cut.