John Q. Phats Entertainment

Sorry about not posting yesterday, I was in a Benadryl induced haze.  It’s actually kind of fun being in that state of mind at work, makes the day fly by.  Some stuff to talk about, not much but a little.  The whole healing of my leg thing isn’t really going so great.  I thought I would be able to make it to the SoCal Film Festival last night, but my leg was killing me, so I decided to stay home.  I’ll probably have to stay home tonight too.  Sorry for everyone that looked for me on Tuesday.  As punishment, I’ll tell you the story of how I actually injured my leg.  It really does a good job of highlighting my stupidity.  On Saturday, I decided for the first time in over two years to drink.  This wasn’t really a planned out endeavor.  They were playing beer pong and it looked like fun.  So, I lost at beer pong.  Since I haven’t drank in over 2 years, I had the tolerance of an 11 year old girl.  I ended up getting trashed.  Apparently I stepped on my friends girlfriends face and somehow ended up on the roof of the house I was drinking at.  I wouldn’t have believed them if they hadn’t shown me pictures of both.  I also left a message that a lot of people laughed at on a co workers cell phone.  I actually found that kind if hilarious myself.  At one point, I get the brilliant idea to give a friend of mine a piggy back ride. 
“I’m drunk!  I can do anything! :flex:”
So, he gets on my back, he’s much bigger then me, which isn’t saying much, I weigh like 155.  So, then I get the idea that I’m going to run with him on my back.  I get up to a good speed and then I’m laying on the ground.  That’s how I hurt my leg.  I tore a muscle in my hip region so now I look really funny when I walk.  This wouldn’t suck so much if every 5 seconds someone at work didn’t say “O my God!  What happened to your leg?!”
I’ve been just saying “It’s a long story.  I hurt my leg.”  
They keep bugging me for details.  Maybe I should just make something up that makes them uncomfortable so they won’t ask for details.  Maybe:
“Vibrator malfunction”
would work.  It’s simple, could work.  Anyway, on with the show.
Do Nice Guys Finish Last is so close to being done.  The file is huge.  It’s like 25 gigs.  After Effects really added all of that.  I think it’s all the filters and effects we used for color correction.  Either way, we can deal with it.  We are so close to being done.  All we need is transitions and that’s it.  I already finished the credits.  Everything is all set.  It’s frustrating to be this close.  I still want to submit to Sundance. 
Every once in awhile YouTube has something of value to offer.  Not always, in fact almost never.  Most of it is some emo kid sitting in front of a web cam talking about Kanye West or Brittney Spears.  I found this great channel that has all sort so of film making tips and tricks.
http://www.youtube.com/user/videomaker
I’m actually kind of amazed that these are free.  Seriously, if these were available on DVD, I would probably buy them.  No bullshit, just straight up “You want to do this?  Here’s how you do it.”
I also found:
http://www.youtube.com/user/Mr360Games
Nothing really film maker wise, but I’m impressed with the video quality of his stuff.  For video game footage, that’s awesome.  Most of the time, especially on YouTube, it’s just a camcorder propped up in front of a television.  Lame.  This is actually high quality stuff.
I’ve also never mentioned this before, but being such a hockey fan this is probably my favorite web site:
http://www.battleofcali.com/
All those writers are hilarious.  They should write a hockey based script.  Seriously, they really seem to have a good grip on hockey culture.  I could see them writting something like the original Slapshot.  Vulgar as hell, but entertaining and awesome.

I worked on the audio of Do Nice Guys Finish Last last night.  Audio editing has always been sort of intimidating to me, but really, it’s not that bad.  I learned a cool little trick last night that Gabe taught me that made it much easier.  Whenever you want to raise the levels of a certain segment of audio, rather then actually adjusting it’s volume, just duplicate the portion of audio you want louder and match it up with its counterpart on another track.  If you have two tracks with the same audio, it’s twice as loud as it would be with only one track and it doesn’t distort.  I never would have thought of that.  That’s what I did last night.  I went through the audio and just made sure that it was all at a some what consistent level.  I was able to finish it all up.  I’ll probably go through it again to make some slight adjustments here and there though.
Up next is putting in the transitions.  I’m still not sure what direction I want to go with that.  I’m going to read up on transitions this weekend.  There are definitely things that need to be thought about when it comes to transitions in Do Nice Guys Finish Last.  There is one scene where the camera angle stays consistent, but there’s a cut and a lot of time passes in the story.  We need to have a transition that illustrates that.  Me and Gabe will be looking in to it. 
When I got home I played NHL 09 and absolutely got my ass kicked online.  Sometimes, people are just better then you at stuff.  You know, it’s easy to get a big head when playing against the computer for 3 months straight.  It did give me an idea for a short.  Mainly because it was comical how badly I was getting beaten and Caine is itching to do something.  It’s not that I don’t want to shoot anything, it’s just that I’ve been busy with other projects.  I also, really want to shoot in HD.  Maybe I’ll rent a camera next weekend or something just to play around with it. 
Again, I’m going to mention this:
The SoCal Film Festival is next week.  Censored is playing next Friday.  This will probably finish up it’s festival run.  I want to start sending out Do Nice Guys Finish Last.  I’m not sure if it will get accepted, but I hope that I’m underestimating it.  Gabe said he watched it again the other night and after giving it a rest said he actually thought it was really good.  When editing something, you watch it at least 100 times, it’s very easy to get bored of it.  I really think we are close to being done with it though.  Anyway, you can buy tickets to the Censored screening here:
http://www.socalfilmfest.com/tickets.aspx
Censored is playing in Program 10.  Be sure to buy a ticket for that program if you want to go.

Sorry for not posting for awhile, I’ve had a busy week.  I was on vacation in Minnesota.  I’m back now and there’s a lot to talk about.  We’ll start off with the light stuff.  Me and my girlfriend have been watching a lot of the second season of True Blood.  That show is absolutely awesome.  I hate to say this, because it seems like after Twilight, everyone is jumping on the vampire band wagon, but it makes me want to write a vampire short.  It seems like the hardest part of doing something like that is making it not look cheesy.  Why?  Because not making it look cheesy is either going to cost you money or time.  Possibly both.  I’ve done one suspense based short film and I wasn’t too happy with it.  That’s all right, it was a good learning experience. 
Programming for the festival is going nicely.  My biggest issue with short films is time.  People try and tell a story in 10 minutes that could easily be told in 5.  The longer a short film is, the more obvious it is.  First off, let me tell you, if you’re making a 20+ minute short film it had better be brilliant.  It’s an immediate flag to see a short film that runs over 20 minutes.  The first thought is “This could be really bad.”  Mainly because I would rather sit through a bad 5 minute long short film then a bad 20 minute long short film.  I’m pretty sure I’ve said this before, so I’ll just move on.
NHL 10 comes out soon.  The only reason I mention this is because NHL 09 already consumes a large portion of my life.  I’m not really sure what’s going to happen when NHL 10 comes out.  I may lose a lot of sleep, which means I might miss a lot of work, which means I might get fired, which means I can’t pay my cable bill, which means they would turn off my Internet, which means I wouldn’t be able to post here anymore.  This is the reality of the situation.  Don’t judge me, it’s not my fault, I have an addiction.  If they had a ten step program, I would probably be a prime candidate.  By the way, that reminds me of one of my movie quirks.  I absolutely hate it when you have people playing a video game in a movie and they are button mashing like crazy on the controllers.  Why not just have them play the game with the audio off?  Then record the audio of the game some other time and then insert that audio in editing.  You would think that would be something that directors catch, but I see it all the time.  I’ve shot a couple things with people playing video games and every time I’ve been able to work with the audio and make it look like the actor/actress is actually playing the game.  Or you just record them playing the game with the audio on from the angle you’ll be cutting to that actually shows the game and then use that audio.  It’s really not that difficult. 
Moving on, we should be done with the audio for Do Nice Guys Finish Last possibly tonight.  We’ll see, I may not be able to tonight.  It would be nice to finish it up.  Vacation kind of put a stop to everything.  I really want that done by the end of next week.  As soon as it’s done, I’m going to send it away to 6 festivals.  Might get rejected, might not.  Either way, I’ll keep you guys all updated on what’s going on with that.
There are big things happening with JQP Entertainment itself.  We may have a new name soon.  Which means we would have a new web address.  I would actually probably keep this same design and everything, the only thing that would change would be the web address and logo in the upper left corner.  Actually this web address would probably link to the other one, so really there wouldn’t be that much of a change.  We are changing the way we do things and we all agreed that a new name is necessary.
I’ll probably be mentioning this every post from now until then, but the SoCal Film Festival is very close.  I’ll more then likely be attending every night, either with someone or alone.  It’s so close to me, it seems like a waste not to.  It kicks off Monday, 9/14/2009 but Censored isn’t playing until Friday.  Again, you can buy tickets here:
http://www.socalfilmfest.com/tickets.aspx
There’s just a lot going on with JQP Entertainment right now.  Way more then I can probably mention in this post.  I’ll let you guys know as new things come up.

I finished up Dexter season 3 last night.  I like how every season of that show leaves on an ending note.  Rather then a cliff hanger that you have to wait months and months to figure out what’s going on.  Seasons 1, 2, and 3 could have ended the series and I would have been perfectly happy with it.  I’m glad that it went longer, I’m just saying that the show does a good job of wrapping everything up at the end.  With each season, Dexter seems to come to some sort of realization that seems to sum up all of his experiences.  I really do enjoy how it does that.  Season 1 was phenomenal, season 2 was better, and I think season 3 was the best out of all of them.
I still haven’t done the audio work on Do Nice Guys Finish Last.  I guess it will have to be after my vacation.  I’m going to Minnesota for a while.  I will do it as soon as I get back though. 
I also figured I would take this opportunity to plug the SoCal Film Fest again.  Here is where you can buy tickets:
http://www.socalfilmfest.com/tickets.aspx
Censored is playing on 9/18/2009 at 7:20PM in Program 10.  The festival is being held at the HB Central Library & Cultural Center Theater.  The address to the theater is:
7111 Talbert Ave., Huntington Beach, CA 92648
Hope to see you guys there.

Last night, I made a very bad decision.  I started to paint my ex room mates room.  As always I started with a coat of primer.  So, I’m going around the room and all of a sudden, I get the brilliant idea to paint the inside of the closet.  About 5 seconds in to this endeavor, I realize that I’ve made a horrible mistake.  Somehow, the builder of the house managed to put more corners in that closet then in the entire house.  I think it took me like 2 hours alone, just to primer the closet.  Stupid closet.  For $550 a month, my next room mate could have probably dealt with an unpainted closet. 
Every time I paint, I can’t help but think of the possibilities of turning a room in my house in to a set.  It would just be way too easy.  I have this space available with walls begging to be painted.  I could paint them any color I want.  With low budget film making, you don’t always have that option.  You usually have to deal with the color the wall already is.  I’ve always wanted to do a very art direction esq short film.  Something where every shot has clashing colors or the entire film has a specific range of color.  I actually didn’t even know that they did this, until I read the Grindhouse book.  Robert Rodriguez was talking about the colors that he chose for Planet Terror.  When I watched Planet Terror again, I started to notice it.  I always thought French cinema had great art direction in them.  Every single French film I’ve seen has been very artistic either in story itself, costume design, or background design.  Of course, you mention French cinema and the first thing that comes to most people’s minds is Amélie.  I like Amélie, it’s a great movie, but there is a lot more to French cinema.  Angel-A or  The Diving Bell and the Butterfly are both awesome films.  Ok, I’m done with my French cinema rant.  As I mentioned yesterday, color correction for Do Nice Guys Finish Last is done.  I was either going to work on the audio for it yesterday or paint that room.  I was really hoping to work on the audio but Gabe was busy that night.  I don’t expect the audio to take me that long.  I’m not really looking to do anything fancy.  I want to keep it sort of rough, to fit in with the amateur documentary feel that we are going for.  Things have been crazy lately, but I really want to get to work on my next project.  For my next project I really want to use a rack focus.  I’ve actually thought up scripts that would require the entire thing to be shot with one shot while we rack focus back and fourth between like 3 characters.  That’s either an awesome idea, or a horrible idea.  I haven’t decided yet.  Either the audience would all go “Woooooow” or it would just give them all a massive headache.

Gabe gave me the Do Nice Guys Finish Last color correction version.  It looked really good.  It’s weird to see it in a somewhat polished state.  Next we are going to work on the audio.  I’m still debating how much I want to do to the audio.  Part of me wants to clean it up completely and another part of me wants it to stay sort of rough.  Some aspects of Do Nice Guys Finish Last are polished and other aspects are left rough on purpose.  For example, the camera work was left rough on purpose.  The lighting was set up and polished though.  Mainly because we could do that and get away with it.  It’s one of those things that we can slip past the audience that would make it look a little bit better.  Audio is a big part of this.  I really do want the audience to feel like they are watching a documentary done by a bunch of amateurs.  But how far is too far?  Is keeping the audio somewhat rough forgivable here?  I’m going to have to figure that out tonight.  After the audio, we’ll probably do the transitions and then we’ll be done.  I already put the credits together so all I have to do is tack those on the end when the transitions are done and call it a day.  With credits, Do Nice Guys Finish Last will wind up being just under 16 minutes.  I can live with that.  I think for a 16 minute film, it’s pretty fat free.  I’ve seen short films that are 20 minutes that could have easily been cut down to 10.  I don’t think this is the case with Do Nice Guys Finish Last.  I think it’s 15 minutes, because it needs to be 15 minutes.  We cut a lot out that was in the original script.  Not just to get it under 15 minutes, but because the parts we cut out weren’t necessary.  If you can get the point across in 1 scene, then why show 2?  Or if you can get the point across in a scene that’s 30 seconds long, why would you show a scene that’s 2 minutes long?  Of course, I think this all changes when shooting a movie.  For a short film there is a totally different set of rules.  With a movie, you have time for a set up and you can take your time here and there.  With a short film there almost shouldn’t be a setup.  The characters should already be past the setup and on to the point of the short film by the time it starts.  For example, there’s a scene where Chris calls one of the girls and nervously asks her for a date.  We could have shown him pacing back and fourth nervously while biting his finger nails and starring at his phone, but why?  He makes it blatantly obvious by the tone in his voice that he’s nervous.  It would be taking twice as long to illustrate the same exact point.  As an audience member, I think it’s a little insulting actually.  If we had shown the pacing scene it would sort of be like:
“He’s nervous….  You see how nervous he is?  He’s really nervous.  Look at how he’s pacing, he’s nervous.  Man is he nervous.”
Kind of annoying, isn’t it?  I think, a lot of short films fall in to this trap.  The audience is smarter then you think.  They can figure it out.

Today Gabe might have the color corrected Do Nice Guys Finish Last.  We’ll see what happens.  It will either be today or sometime, early this week.  After color correction we’ll be working on transitions.  I don’t think that will take us too long.  Then we’ll do some slight corrections in audio.  I’m really not too concerned about the audio.  Mainly because I want it to have sort of a rough feeling to it.  Like an inexperienced boom mic operator was just chasing people around not really sure what he was doing.  It fits for this short film and I actually think it sort of adds to it.  As long as I’m aware of it, I think it’s ok.  I’m very excited about being done with Do Nice Guys Finish Last.  I always have a hard time telling everyone to just wait for the edit to be done.  I hate telling people to wait for us to be done editing.  Editing takes a long time and nobody except for me and Gabe sees the progress.  Of course, I can talk about it and post screen shots.  But you can’t really show anyone the short film until it’s done.  It’s a little frustrating, but I’ll live.
I saw Inglorious Bastards yesterday.  I loved that freaking movie.  I thought it was great.  You never quite know what you are going to get with Quentin Tarantino.  That’s what I like though.  His style is always changing and evolving, but his movies always have that Quentin Tarantino feel to them.  If you showed me a 100 unreleased films and one of them were a Quentin Tarantino film, I could probably tell you which one was the Tarantino film without looking at the credits.  Whenever I see a Quentin Tarantino film it remindes me to always make a Carl Keitz film.  Basically, make the short film or movie that I want to make.  What makes a Quentin Tarantino film so good, is that it’s a Quentin Tarantino film.  He always makes the movie that he wants to make.  That’s probably what every film maker should do.

For those of you that went to the movie thing last night in Huntington, you may have not seen me.  I had a bit of an emergency that I had to deal with so I couldn’t make it.  Sorry if you showed up to say hello and I wasn’t there. 
Last night in being a programmer I got to the good stuff.  These are the films that make me look at my work and think to myself “What the hell am I doing?”  Two especially absolutely amazed me.  There is some great stuff out there.  I already knew that, but I always welcome a good reminder.
I’ve been working on my resume to look for work on a film crew.  Of course, me being a graphic designer I have to make it incredibly complicated and fancy.  What actually started as a work project has evolved in to part of my resume.  I’ll post it when I’m done with it for you guys to check out.  It should be quite glorious.  I’ve also been hard at work on the press kit for Do Nice Guys Finish Last.  It’s kind of fun.  Right now I’m just trying to get the information down, when I’m done with that, I’ll make it fancy.  I’m very tempted to design it like it’s a bunch of scrap paper Chris (main character) scribbled his ideas on.  Why not, right?  I think it would work.
The deadline for Sundance is coming up.  I’m probably going to enter Censored.  Will it get in?  Probably not, but what the hell, right?  If I can get Do Nice Guys Finished Last done on time, I’ll enter that as well.  My hopes are, that Do Nice Guys Finish Last is much better then I think it is.  Not that I think it’s bad.  In fact, I love that short film, I just don’t think it’s all that festival appropriate.  Hopefully, I’m wrong, festivals love it, and audiences laugh so hard, their stomachs hurt.  As I’ve figured out though, it’s very easy to become delusional about how funny something you and your friends think something is vs what the public thinks is funny.  Often times, something you and your friends think is funny, isn’t really all that funny to other people.  Many groups of people I’ve met have told me that I could just put a camera on their friends and have comedic gold.  Have you ever told a really funny story, only to have the person you’re telling it to stare at you with a blank stare?  It usually ends with you saying “Well, I guess you had to be there.”  It’s kind of like that.   
I still haven’t seen Inglorious Bastards.  I want to see that movie so badly.  Maybe I’ll check it out tonight.  Right now, I’m going through all of the movies that I should have seen already, but haven’t for some stupid reason.  For example, I just watched The Shining last week.  Jack Nicholson was a creepy looking bastard.  Even in the beginning, when he’s acting all normal, he’s freaky looking.  With age, I think he became less creepy.  In As Good As it Gets he wasn’t all that menacing.  His character was kind of a prick and he sort of looked the part.  Maybe he’s just that amazing of an actor.  His actual demeanor alters his appearance.  Or does he just pick roles that fit his look at the time?  It’s tough to say.  Either way, the guy is an amazing actor and often times, I’ll watch a movie just because he’s in it.  I always thought Keanu Reeves was good at picking his parts.  He’s not an amazing actor, but the roles he picks fit him so well, he can almost pull it off.  For example, The Matrix.  Could you think of anyone, who could have played Neo better then him?  I think he was absolutely perfect for that role and it’s hard to believe that he wasn’t the first choice to play that character.  Think about it?  Lonely computer hacker, limited social skills, finds comfort with computers, not sure of anything really.  He pulled it off.  Same with The Day the Earth Stood Still and The Devils Advocate.  Again, not really an amazing actor, but all of those roles fit him very well.  It works for me. 
I went off on a bit of a tangent there.  I tend to do that.  I could probably spend days talking about movies and once I get going it’s tough to shut me up.  Anyway, sorry again for not showing up at the SoCal Film Fest Movies by the pier thing, I’ll be sure to make it out to the next one.

So, I’m doing programming for a film festival.  I’ve only watched like 5 films or so and I’m already getting another perspective on this process.  First off, I now completely understand  why every book I read said to make things as simple as possible for the programmers.  You want them to be able to see your tracking number on the DVD.  You want them to be able to put the DVD in a DVD player and boom, the film plays without them having to take any extra action.  They don’t give a crap that you have a fancy DVD menu and they don’t care about the name of your production company.  If they have to take any particular extra effort to see your short film, you’ve already put a bad taste in their mouth about your film and they are more likely to recommend a rejection.  I’ve read all about this, but now it’s even more apparent.  Of course, I’m pretty obsessive, before I sent Censored to any film festivals; I read about 4 books on how to do it. 
Speaking of books, I just finished How Not to Make a Short Film by Robert Marie Munroe.  It’s a very slick and handy little book.  Especially the end which has a pretty extensive list of film maker resources.  Some of her favorites film festivals, production websites, and even a section for film making blogs.  It pretty much has it all covered.  It was a good read.  I’m kind of wondering what I should read next.  Probably a book about either sound design or cinematography.  I’ve read a couple books on cinematography, but it’s an interesting topic.  I really should probably tinker with my camera more.  Just to see what kind of interesting shots I can get. 
So, I have a new goal.  I want to enter Do Nice Guys Finish Last in Sundance.  Will it get in?  Probably not, but who knows, I could get lucky.  Worse thing they can do is send me a rejection letter.  Most rejection letters are pretty soft.  Like:
“We regret to inform you that your film was not selected for our festival.  But we encourage you to enter it in other festivals and keep making films because everything is relative and blah blah blah.”
It’s actually kind of nice.  What if you got one that was really harsh one day?  Like:
“I could sit here and drone on about how you should enter this in to other film festivals, but I won’t.  I’m actually the programmer and I’m writing you this specially to tell you to please not make any more short films.  This was so bad, I seriously considered shooting myself 2 minutes in, so I wouldn’t have to live through another waking moment of this boring and horrible excuse for a short film.  I’m serious, I loaded the gun.  If I pounded on a keyboard with my forehead for 20 minutes straight, the jargon that followed probably would have produced a better script then this bile.  What I have just watched was by far the stupidest thing I have ever seen.  I am now dumber after watching your short film.  If this world were just, you would be killed in some sort of horrific camera accident.  I used to like film, I really did, but your film was so bad, I’m afraid I’ll have flash backs and tremors if I ever watch another film again.  Like shell shock from soldiers coming back from Vietnam.  I hate you.  Please kill yourself.”
That would probably never happen.  If it did, I might cry.  That makes me really glad that they do the things the way that they do. 
Tonight, I’ll be down near the Huntington Beach Pier for the SoCal Film Festival Movies by the Pier event.  If you’re in the area, stop by and say hello.

Yesterday, while delivering something for work, I saw a sign that said “Dexter” with an arrow on it pointing in the direction I was going.  I stayed on course and just kept going.  Then I had to make a right and there was another sign, right before my turn with an arrow pointing to the right.  I still just kept going.  Then I saw an arrow leading in to a parking lot that said “Dexter Crew.”  My first thought was “no freaking way.”  On my way back from my delivery I stopped off in the parking lot just to see it was true or not.  Low and behold, there were several wardrobe and equipment trucks parked near the back.  I didn’t run on set or anything or even get out of my car.  I just wanted to confirm that they were shooting my favorite TV show of all time a stones throw from where I was.  I drove back to work and then went back to the place again on my lunch break this time determined to talk to someone.  The first person I saw was a security guard.  I asked him if they needed any extras, or extra crew or anything.  He said no, so I got in my car and went back to my stupid job.  So many thoughts went through my head before I approached that security guard.  What would I have done if he said yes?  Would I have called my job and told them I wasn’t coming back from lunch?  Absolutely.  What if they had said that I couldn’t do that?  Would I have let them fire me?  Probably.  After my conversation with the guard, a million other thoughts hit me.  Why am I not applying to work on crews on weekends?  What the hell am I doing here?  Here’s where it gets a bit stalkerish.  On my way home from work, there were basically two routes I could take.  One that drove me right past the Dexter shoot and one that didn’t.  I fully intended to just go home, but something made me drive by one more time.  I wanted to give my card to somebody.  Even if it was just the security guard.  So, I approached the same security guard once again and after telling him I was sorry for bothering him handed him my card and asked if he could please hand it off to someone.  He told me he would.  Several things could have happened here.  The most likely is that it went to the security guards pocket and that’s where it stayed.  It will be there until the security guard either washes his pants or empties his pockets and throws it out along with some gum wrappers and receipts.  Another possibility is that he did actually hand it off to someone.  Where it’s now sitting in their pocket until they wash their pants or throw it out along with some gum wrappers and receipts.  This is pretty likely as well.  The unlikeliest of scenarios is that he did hand it off, the person he gave it to looked at it and thought to themselves “Maybe I’ll give this guy a call.”  Or maybe they took that card and filled it under “P” for Psycho.  I have to say, going there for the third time did make me feel a little bit like a stalker.  I wasn’t disruptive or anything though.  I didn’t try to break on to the set or talk my way in.  I wasn’t trying to steal any wardrobe, I was really just looking for an opportunity.  An opportunity to see how a big time production operates and to help out with that.  Dexter is my favorite show, of course I would take any long shot chance presented to me to work on it.  On my way to the Dexter shoot after work, I couldn’t help but think that it was fate.  That maybe something would come out of it.  It doesn’t end with that security guard though.  I think this was a wake up call, that what I want to do is right in my backyard and all I have to do is try.  What are the odds that I would have to do a delivery that day and that my delivery would pass right by a shoot of one of my favorite shows of all time?  Fate or not, it was a wake up call for me.
On to other things though, right?  Just because I passed by a Dexter shoot in my car doesn’t mean my world stops.  Last night I was up pretty late getting some screen shots from Do Nice Guys Finish Last.  I’m trying to put a press kit together.  I got about 40 screen captures for it.  Here are a few of my favorites.  Keep in mind that these are pre color correction:
       
I think they look pretty good.  I really like that behind the scenes one with the clacker.  I just think that’s a really cool picture.  The press kit is well on its way.
An update on the Censored showing at the SoCal Film Festival.  The festival has an updated list of which program has the best ticket sales.  Censored is in Program 10 and Program 10 is listed as third.  Clearly that’s all because of me.  The six or seven visitors my site gets must have gone to town on those tickets sales.  Again, here is the info of where you can buy tickets:
SoCal Film Fest Tickets
Censored is playing in Program 10 on Friday 9/18/2009 at 7:20 PM.  It should be a good time.  There are lots of other short films playing there.  I’ll definitely be there. 
Sooner then that though, I’ll be down near the Huntington Beach Pier this Thursday to watch Finding Nemo at the SoCal Movies by the pier event.  Partially to try to get people to see Censored, but mainly because that event sounds kind of awesome.  Stop by and say hello if you’re in the area.