John Q. Phats Entertainment

I watched 2 episodes of Science of the Movies last night.  That show is a big reminder of what I don’t have access to.  One episode was all about different moveable camera mounts.  There was this gigantic camera mount that had 12 points of axis that you could program to do motions over and over again.  It’s basically so you can layer two shots on top of each other.  Since the motion of two shots match perfectly, the two shots together look seamless.  I honestly had no clue that’s how it was done.  All of my split screen shorts were pretty much that, minus the motion.  I didn’t realize it, but I kind of stumbled on the early meathod of special effects.  That’s kind of cool.  I find that I do that a lot actually.  It’s kind of weird.  I don’t know if I hear about it somewhere else and subconsciously make myself feel like I thought of it, or if I really do come up with concepts that just happen to match what’s already out there. 
I am meeting with a script writer today to discuss Project X.  By spreading the word through my contacts, I’ve actually got some people interested.  Now all I need is a roughly $5000, an HD Camera, locations, equipment, skill, and food.  Huh.  Anyway, yeah, I’m going to be focusing on that.  It’s tough to juggle everything though.  Nice Guys Finish Last is almost done.  That’s going to need to go out to festivals and Censored is still going.  By the way, I submitted to something a while back called the SoCal Film Festival.  I really hope I get accepted to that.  That would be awesome.  Mainly because they would be holding it right near my house.  I could probably go to every night of that if I wanted to.  It’s literally a 10 minute drive vs an hour+ drive to the festivals Censored has been accepted to.  I would really like Censored to screen somewhere outside of California.  Don’t ask me why, I just think it would be cool.   Every time you get accepted to a festival they send you these little acceptance things:

Like that guy right there.  I suppose can put those on the DVD’s that I send out to other festivals as sort of a selling point.  Imagine if I get selected for all 4 of the other festivals I entered?  That will be 7 total.  That will look kind of insane.  You also get one if you’ve been nominated for or win an award at a festival.  Strictly Background had like a bajillion acceptance ones and 6 Best Documentary Award winners.  These things are actually called Laurels.  Every festival does them.  At least as far as I can tell, every festival does one.  I think they are kind of official and regal looking.  It’s kind of neat to have these.  Sort of like a digital trophy.  Hopefully when Nice Guys Finish Last is done it gets it’s own collection of them.

EDIT(7/29/2009- 3:32PM) – I just got an acceptance E-mail from the SoCal Film Festival.  That kicks so much ass.  I’ll give you guys all the details in tomorrows post.

So, I’m putting together the credits for Nice Guys Finish Last.  Holy Jesus, there were a lot of people involved in this thing.  The credits are like 45 seconds long.  Normally, my credits are like 10 seconds long, if even that.  I hate to say it, but I may need to cut them out for the festival cut.  I’m not sure if that’s going to be way too long to add to an already pushing it short film.  Getting a 15+ minute long short film in to a festival isn’t going to be easy.  Maybe I’ll send the judges a version without the credits and when I send them my screener, I’ll send them a version with credits.  That’s pretty shady though.  Maybe I just won’t count the credits as part of the film.  Of course, I could be wrong on the time estimation and the short could turn out to be 9 minutes long.  In which case, I wouldn’t mind adding another minute of credits to it.  Or I could be wrong in the opposite direction and it could turn out to be 19 minutes long and I would be screwed.  That actually happened to a guy in my film school.  Our finals were supposed to be around 10 minutes, his was like 22 without credits.  He wrote us an E-Mail 1 night before it was due at like 2AM that said “I’ve cut my short down as much as possible and it’s still 22 minutes long…….Fuck me.”  Film school was awesome, I made some pretty good friends there and produced Say Something while attending.  Which I consider to be a very polished piece.  I think Nice Guys Finish Last may surpass Say Something in the polish and overall wow sector.  Nice Guys Finish Last has some good production value.  We have a lot of different locations and one of them is a restaurant with extras and all.  I’m kind of an idiot to have sat on NGFL for this long.  I could have been submitting it to festivals months ago.  Apparently, that’s what I do now, I shoot short films and just forget about them.  That’s how I role.
You know, I seem to jump back and forth when it comes to genre.  After I shot Red Hood (horror), I shot Say Something (Romantic Comedy).  Then I went back to Red Hood again and now I’m doing Nice Guys Finish Last, which is a comedy, but I would not in a million years call it romantic.  It’s actually kind of the opposite of romantic.  You know what I’m missing?  Some raunchy comedy.  I haven’t done raunchy in awhile, it might be a bit of an overload.  The last time I did raunchy, was The Train Wreck, which was quite awhile ago.  That might be dangerous actually, it’s probably pretty backed up.  It would all come gushing out in a display of hysterical horribleness.