John Q. Phats Entertainment

You may remember that Censored was selected to screen at the SoCal Film Festival.  This morning they released the festivals schedule.  You can view the entire schedule here:
SoCal Film Festival Schedule
Censored is playing on 9/18/2009 in the 7:20PM block.  First of all, that’s a Friday, which is awesome.  I don’t know if it’s luck or what but Censored almost always gets put in the most awesome time slot.  It’s either on a weekend or later on in the night on a weekday.  For this festival you buy tickets for programs.  Each program has a different block of films.  Censored is playing in Program 10.  So if you want to go, be sure to buy tickets for Program 10.  I’m playing with:
9mm Brush
Couched
How to Train Your Pet
Jimmy String bean vs the Rock God of the Cosmos
Love Bombing
Make Art, Save World
Piper & Tupper – Hands Free Born to be Wild
Special Delivery
The Amazing Esca-ciser
The Family
Twirl
I know nothing about any of these, but they all sound amazing.  I’m probably going to be attending this festival quite a bit.  Mainly because it’s so close to me.  I’m kind of curious about what other people are up to in short film making. 
In other news, I reviewed the 5th draft of Do Nice Guys Finish Last.  There are still some minor cuts here and there.  It’s kind of frustrating being this close to the finish line, but what are you gonna do?  We’ll be done soon enough.  I definitely have to make notes on the new draft tonight.  I think this might it.  Watching it, there’s really not much else I can change or things that I’m really displeased with.  I think it has a nice pace, it’s funny when it’s supposed to be, and all the fat is cut.  It’s very to the point and moves along quickly.  I think that’s exactly how this short film should be.

Watching some of my old short films last night I’ve realized how far everyone involved in all of this has come.  Acting has gotten better, camera work has gotten better, lighting has gotten way better, editing has gotten better, and sound has definitely gotten much better.  I’m not really sure how we all got here.  I think we were all just committed to making a better product.  It was pretty much a process of refining.  We would try something else and if that didn’t work out, we would figure out a different way of doing.  For example, in The Train Wreck, the sound is horrible.  That’s because it was our first time using the boom mic.  We thought we would be smart and hold the boom mic low and aim it up rather then high and aim it down.  What we didn’t realize is that the boom mic would pick up EVERYTHING that went on with the actors feet.  You can hear every single footstep the actors took in that short film.  It’s really annoying.  The next innovation in sound actually happened on Do Nice Guys Finish Last.  In the last short film that we did Gabe complained that it had the sound quality of a porno.  So, we looked up some information on the Internet regarding sound for short films and found some pretty good stuff.  We spent probably about 15 minutes before each scene finding not only the right position for the boom mic but the right settings for the camera to match that.  I have to say that Do Nice Guys Finish Last is probably the best sounding thing we’ve done so far.  Which may be sad, but whatever, we’re getting there.  I guess my point is, is that…  I’m not really sure what my point is.  I guess I’m just writing.
I just got the new cut of Do Nice Guys Finish Last from Gabe.  I can’t wait to see it.  I think we are extremely close to a final cut.  Probably just a few changes here and there and we’ll be done.  Then, we can start doing color correction.  Which in all honestly, sucks.  Color correction is one of those things that you have to do, but really don’t want to.  Like returning your ex girlfriends DVD’s or going to a funeral.  It’s just lame.  Can’t modern technology take care of this for us yet?  Can’t you have two shots and click on a box that says “I want these two thingies to look like they are the same color”?  I mean, do we really have to spend hours fidgeting with some stupid little knobs to get it to do that?  We have satellites that can read a license plate from space, but we can’t do that?  Really?  It’s total bullshit, it really is.  I’m actually just trying to be funny.  Color correction really isn’t that bad.  It’s just kind of tedious.  For some reason, Gabe is actually excited about it.  Maybe he’s just tired of my nit picky editing notes.  The last one was pretty bad.  I think there was a portion where I cut like .5 of a second off of a shot.  I’m pretty sure when I’m coming up with stuff like that, we are pretty damn close to a final cut.

Sorry for the lack of posting this weekend.  The Internet at my house went down again.  I should be getting draft number 5 of Do Nice Guys Finish Last from Gabe tomorrow.  I’m really looking forward to being done with it.  I want to start sending it to festivals already.  I have several friends and family members who bug me about seeing it almost every day.  I’m still not going to rush it though.  We’ll be done with it when me and Gabe both agree that it’s done.  In the mean time, we have been working our asses off on it.  I really believe in getting what I want out of a short film.  Just never saying “it’s good enough.”  If something doesn’t look or sound how I want it to, I’ll re shoot it.  I believe that if you’re a film maker, you should always make the film that you want to make.  Screw what the critics say, screw what other people say, you’re making this short film, make it however you want.  If you do that, it doesn’t matter if other people like it or not.  You made the film that you wanted to make and that’s that.  Of course, other people liking it is a nice added bonus.  I always wanted Do Nice Guys Finish Last to be something that’s funny because it’s true.  That’s part of the reason I made it a mockumentary, to sort of bring people back to the fact that it’s based on a realistic principal.  Plus it was a damn good time filming it.  It’s kind of cool, there’s so much you can get away with in a mockumentary.  A boom mic enters the shot?  O well, that happens in documentaries all the time.  An actor stumbles over their lines?  O well, people stumble over their words sometimes in reality, it happens.  The scene is too dark?  O well, sometimes rooms are dark.  It’s not that it’s an easy out, it’s just that there’s so much room to play.  All of this in Do Nice Guys Finish Last if it does make it in is intentional.  We wanted portions to have a little bit of boom mic in them just to cement the fact that the characters know that there are cameras and everything there.  It’s kind of weird placing these imperfections here and there, but it’s kind of fun at the same time.
I’ll keep you guys updated on the progress of it.  Right now, it’s looking pretty good.  We’ll probably have a final cut around next week.  Then we get in to the exciting world of color correction….. Yay.

The Internet at my house is back up.  I’m not sure how it broke, or what was wrong with it, but the Internet company had to send a signal through to fix it.  When you’re someone like me, losing Internet is one of the worst things that can happen.  Seriously, it was really bad yesterday.  Last night, I’m sitting there messing with it and a couple times in the middle of it I thought to myself “I can fix this, I just need to look it up on the inter-  …..O yeah.”
I have a lot to talk about today.  Mainly, I want to talk about the new cut of Do Nice Guys Finish Last.  The way me and Gabe have been working on this is that he gives me the cut, I make notes on it, then hand them back to him to make the changes or corrections.  We are currently on draft number 4, soon to be on 5.  I have the 4th cut with notes on it all ready for him.  Once we have a final cut, we’ll do some color correction, and then transitions.  Transitioning from 1 scene to another is a big deal for this short film.  There are some scenes that make huge jumps in time in the same setting.  The only way to show that jump of time is through a transition.  It if goes from a straight cut, people are left sitting there thinking “What the hell just happened?”  I’m going to be doing some research on transitions later on this week.  I showed Do Nice Guys Finish Last to someone besides me and Gabe yesterday.  I was very happy to see that she laughed at all the right times.  She actually made a comment that really just pin pointed what I was going for.  She said “It was really funny, but it’s kind of true.”  That is exactly what I was looking for with this short film.  I wanted people to watch it and not only laugh because it was funny, but laugh because it was true.  Almost like a George Carlin stand up act.  What he says is hysterical, but the main reason it’s so hysterical is because it’s sort of true.  That’s what I was looking for.  I think maybe Do Nice Guys Finish Last is going to be better then I originally thought.  The audio and lighting are already all a step above everything else we’ve done.  I’m really looking forward to this being done and I can’t wait to start sending it to festivals.
On to the Project X news.  I got a script from the script writer last night.  I haven’t read it yet.  Something went wrong with the file format so I can’t exactly open it just yet.  But it’s awesome that I got it.  I should be getting another copy of it sometime today or tonight.  If this works out, this will be the first time I’ve directed something that someone else has written.  Actually, that’s not true.  I’ve directed one other thing that someone else wrote, but nothing really came of it.  So, it doesn’t really count. 
I’m still waiting to hear back from 3 other festivals.  I’m getting a little nervous.  The screening dates for those are pretty close already.  I figured I would have gotten some sort of rejection or acceptance letter by now.  I suppose if the film festival happens and my short film doesn’t play there, then it was rejected.

Last night, on the way home, 3 ideas for short films came to me.  I told myself that I would write them out after I was done working out.  I finished working out and out of habit I turned on NHL 09 for Playstation3.  Midway through it’s start up, I realized that I wasn’t supposed to be playing NHL 09 and that I was supposed to be writing out some scripts.  I convinced myself to play just one game, which usually turns in to roughly 5 games.  I am so addicted to NHL 09, it’s not even funny.  Seriously, I’ve been playing that game for a year and I can’t stop.  NHL 10 comes out in 2 months and then it will all start all over again.  So, I start to play and I’m playing goalie mode and I’m not joking you, the computer scored like 4 goals on me in the time span of 1 real life minute.  Which is like 20 seconds in game time.  If you were in my kitchen at the time you would have heard:
“damn it………son of a bitch………SHIT!……….MOTHER FU- Screw this!”
 With that, I turned off the system and went upstairs and started writing.
I got a lot more out of writing those scripts then I would have gotten from playing NHL 09 for 4 hours.  I immediately sent one script to Chris and he really liked it.  It seriously is, the perfect short film for festivals.  It would run about a minute long, it’s funny, it’s quick, it’s clever, and it’s PG-13.  The best part is, is that I could probably shoot it in one day and edit it the next.  It’s a really simplistic and clever concept.  Maybe it will be something that I can pull off in between Do Nice Guys Finish Last and Project X.  I got the ball rolling on Project X.  Which needed to be done.  I looked at all of the information I had and just put it all together and sort of wrote out an outline.  Then I E-Mailed that to the script writer.  I’m excited to see how it comes out.  Also, I just got the new cut from Gabe, of Do Nice Guys Finish Last.  Needless to say, I’m glad that I suck at NHL 09 and that the computer saw it fit to destroy me.

Today, I give the third edit of Nice Guys Finish Last with notes added to Gabe.  The way we’ve been doing it, is he gives me the edit, I add notes to it, and give it back to him.  Then he makes the corrections to it and gives it back to me.  Then I make more notes on that one and the process starts all over.  My goal was always to make Nice Guys Finish Last under 15 minutes.  It started out at over 18.  We cut it down to 15 and some change and I think with these new edits we might just get it under 15.  The point wasn’t just because I wanted to make it a 15 minute long short film.  Really, when you’re watching a short film that long, what’s another 2-3 minutes?  The reason I want it to be under 15 minutes is because it’s a 16 page script with some fat in it.  Things can be cut.  I want to cut it down, because it doesn’t need to be over 15 minutes long.  We can tell the story in under 15 minutes.  In fact if we really wanted to, we could probably tell the story in 12 minutes.  When first looking at the 18 minute cut, almost everyone told me
“You’re crazy, there’s no way you’ll get it under 15 minutes.” 
We cut it down to 15 and some change without taking out a single scene.  We trimmed some scenes here and there, but that was about it.  With these new notes, I’m suggesting to Gabe that we cut an entire segment out of a scene.  Not because I want to get it under 15 minutes but because that portion of the scene is kind of boring and unnecessary.  I always keep the goal in mind of wanting it to be funny.  I want people to watch it and laugh.  If a scene is pushing me over 15 minutes but it’s hilarious, I’ll keep it in there.  Hell, if we had enough footage to make people laugh for 2 hours straight, I would make it a feature length movie.  But that’s not the case.  The reality is, is that we shot enough footage and wrote a script for an entertaining 13-15 minute long short film.  
I have a lot to do for Project X this weekend, I’ll be busy.  Aside from a BBQ, I’ll pretty much be sitting in my room planning things out.  A BBQ for my friends lasts roughly 15-20 hours though.  The first time I took my girlfriend to one of these BBQ’s, when leaving she said
“I didn’t even know BBQ’s could go that long!”
I just responded with
“Yeah, they rock it till the wheels fall off.”
My friends have actually inspired me quite a bit in terms of short films.  So, I consider it really awesome research.

Is anyone planning on going to the AOF ?  I think I’m going to check it out tonight.  I’m not sure what I’m going to see, but I’ll see something.  The first night I went we got a huge bag of SWAG.  Everyone loves SWAG.  Lets face it, if it’s free, someone will take it.  There’s a sign near my house advertising free dirt.  Anyway, the SWAG was mainly postcards of other short films.  There was a ton of them.  In the mix was also a DVD for a movie called Long Pig: Unrated Extreme Edition.  I’m going to take a guess here and say that it’s probably amazingly gory.  An independent film that’s unrated.  O yeah, there’s going to be some crazy gore in it.  I’ve seen some pretty intense stuff.  I really feel like, if I can watch Irreversible, I can probably make it through anything.  It’s not that Irreversible was gory, it was just hard to watch because of the context of it.  That movie was unrelentingly brutal.  I’m reading reviews of Long Pigs now.  Apparently, there’s an “anus scene.”  I’m not sure how I feel about that.  Revolted and curious at the same time I suppose.  I’m not much of a horror buff, but maybe I’ll check it out.  Or I’ll give it to my neighbor to check out.  He loves gory films. 
Gabe should be bringing my hard drive tonight with the scene we shot last Thursday for Nice Guys Finish Last added.  I really wanted Nice Guys Finish Last to be under 15 minutes.  I bet it’s probably going to run a little over 16 minutes.  Which isn’t bad.  If there’s no fat and every scene progresses the story line, I have no problem with that.  I suppose it is what it is.
I’m looking in to renting a theater to show Nice Guys Finish Last.  I thought it would be cool to have a sort of theater showing and get some feedback before I send it off to festivals.  I found one for $650 for one night.  If I charged $10 per person, I would have to have at least 65 people show up to break even.  I know, that I know that many people but weather they would be available or not is a whole different story.  I found another one that rents by the week and that was $1000 for 4 shows.  So, I would need to get 100 people there from Thursday- Sunday.  That’s actually not that bad.  I bet I could pull that off.  O wait, that’s just for a stage, not a screen and all that other crap.  Damn.  I bet I could get a projector though and rig something up.  In fact, I know a guy that has a projector and Gabe is in a band.  Bands have speakers and stuff, right?  I’ll have to get back to you on this one.  Or maybe I can have the actors act it out in real time on stage.  Wow, that’s a terrible idea.

So, the Pick up shots are done.  It was actually pretty painless.  We had a very small crew and we knew what we were doing.  I went with a little bit of a different workflow this time.  Rather then just having the actors memorize the script and then shooting, I went through the dialogue with them a bunch and made the adjustments I wanted before I pressed record.  So, they memorized the dialogue and knew how to act it out.  It worked out very well.  I also really tried to avoid saying things like “I need you to be angrier.” I’m usually pretty good about that, but sometimes I slip up.  Instead, I tried to direct through situations that the character would be put in.  For example with Caine, I needed him to be more upset so I said
“OK Caine, so this sort of thing always happens to you.  Chris always gets the girl and you don’t understand it.  He has the girl of your dreams practically throwing herself at him and he’s complaining to you that she’s not the right one.  You haven’t been laid in God knows how long.”
Instead of just saying
“I need you to be more angry.”
 It worked out really well.  Not only was it more of a collaboration between me and the actors, but we both got what we wanted out of it.  We actually had a lot of fun doing this.  I’m thinking about posting one of the out takes where everyone was just kind of goofing around.  What do you guys think?  Would that be something you want to see?  The only comment I’ll get, is probably an ad for Viagra, but that’s ok, I’ll take that as a cue to post it.

Today is the day for the pick up shots.  I’m hoping for a small crew of just me and a boom mic operator.  Why?  Because, nobody likes pick up shots, I’m doing everyone a favor by keeping it minimal.  Plus I think it will make things go faster.  It’s not that difficult of a scene really.  I’ll head over there after work, go over the new dialogue with the actors, set up the lights, and then shoot.  Shouldn’t be too difficult.  I think I’ve gone over how much I hate pick up shots, so that’s established.  I still don’t think words could ever describe my true hatred for pick up shots.
Gabe got me the 2nd cut of Do Nice Guys Finish Last today.  I’m looking forward to checking it out.  Watching a short film over and over again has always been kind of tough for me.  In the book I’m reading (How Not to Make a Short Film), it’s outlined perfectly.  When you first look at all of your footage there are times you want to shoot yourself and times you want to celebrate.  Not per project, no, this all happens in one project.  I was actually very comforted to read that this is all normal.  The truth is, that nobody is closer to your project then you are.  If you see a flaw, it’s going to scream out at you every time you watch it.  That’s the first thing you’re going to see in fact when that flaw comes on screen.  Here’s what I do.  Upon first seeing all those flaws jump out at me, I let my brain freak out for thirty seconds.  This is usually just my brain saying “God damn it” over and over again.  Then I take a deep breath and try to think about ways to fix them.  If I can’t find a way to fix one, I show the scene to an impartial third party.  Sometimes I’ll even ask “Did you see anything wrong with that scene?”  If the impartial third party notices the flaw, then I have a potential problem and I possibly have to re shoot something or figure something out.  %95 percent of the time though, they don’t even notice it.  Sometimes I will run it by 4-5 people and %95 of the time, they all don’t notice it.  If they don’t see it, I’m making way too big a deal out of it and it’s passable.  Some times I’ll even add “Did you see that X was wrong with it?”  Most of the time, the answer is “I didn’t even notice that.”  That flaw will always jump out at me when watching the short film but at that point, I can live with it.  I never talk about the flaw again.  It’s over, it’s there, I’ve dealt with it, and %99 of the population probably isn’t ever going to notice it or care if they do.
Has anyone ever seen Science of the Movies?  It’s on the Science Channel every Thursday night.  It’s an amazing show.  I’ve started DVRing it.  The host of the show is named Nar Williams.  I want that guys job so badly.  All he does is goes to these different companies that offer different technologies in film making and asks them questions about how the technology works and then sees them in action and most of the time he gets to participate.  All of that aside for an aspiring film maker it’s an amazing look at new technologies in the industry.

So, I have to do some pick up shots for Do Nice Guys Finish Last.  I hate pick up shots with every fiber of my being.  If pick up shots were a person and I had the last two bullets on earth, I would shoot pick up shots in the face twice.  A pick up shot is after you’ve finished shooting, you find in editing that you have to go back and re shoot something or get some extra footage that you missed.  They suck.  There’s a big buzz when you’re done shooting.  It’s like “Yes!  We’re done!”  When you’re done shooting pick up shots, it’s like “I can’t believe I had to do that bullshit again.”  And most of the time, it’s like 2 shots.  So you set up, go through the motions with the actors, set up the lights, get the cameras ready, and then shoot for 10 minutes.  So, I have to do that for one scene.  We had a little malfunction and pretty much all of the footage from that scene is trashed.  After looking at the dialogue in that scene though, I’ve decided to change it.  It wasn’t really working anyway.  So I suppose this is a chance to make an improvement on a weak point in the script.  I’m running the edits by Gabe to see what he thinks and he’s shot down every single one of my rewrites.  He would make a good producer.  If he could only add “besides, that would be too expensive” at the end of his shoot downs, he would be all set.  It’s tough sometimes not to get defensive when someone tells you something you’ve created sucks.  If I start to feel that, I just say “Hmmmm” and give myself a minute.  Then I ask questions like “Well, why does it suck?  What would make it better?”  It just takes me a minute to remind myself that they are trying to help me and ultimately, this will make my short film better.  No matter how negatively people come at me, I always just try to hear their opinion.  It doesn’t help me to be defensive, however getting their opinion helps me a lot.  Big time companies are way more interested in why their customers left then why their customers stayed.  They want to know what happened, why you left, and how they could have kept you.  Just like I want to know why you hated my short film and what I could have done differently to make you like it.  That way I can take that in to account on my next short film.  I often stray from my original point.  What was I talking about?  O yeah, pick up shot blow and somehow, this is all Chris’s fault……  Stupid Chris.