John Q. Phats Entertainment

Censored is back up in the shorts section.  Along with its fancy new laurels.  I think the Censored festival run is over.  It had a good run.  I would have really liked for it to screen out of the country.  Of course, I didn’t really submit to any festivals in other countries.  But I at least would have like to get it out of state.  That’s all right.  Maybe Do Nice Guys Finish Last will break the California borders.  We’ll see.
Being a programmer for a film festival, I have a whole new outlook on how to submit.  When submitting Censored I made one mistake, which actually is forgivable.  I showed the name of my company before the film started.  The blunt truth is that when watching short films as a programmer, I don’t really care what the name of the company who made it is.  I’ve never heard of this company and there’s a 99.999999% chance that I’m going to forget it 3 seconds in to the film.  I read a lot of books on how to submit to a film festival and I was happy to realize that I got everything else right.  My festival ID # was always clearly displayed on the both the DVD and the DVD case.  Along with the run time of the short film, the DVD region, the name of the film, and my name.  Also, my film didn’t have a DVD menu with only one option.  You put it in to the DVD player and it starts.  After programming I can also see why I got some rejection letters.  It’s good to see the other side of everything and it gives me an opportunity to correct some of the mistakes I’ve made.  After all this programming, it’s become even more apparent that it’s all about the story.  If the story sucks, the short film sucks.  You can have Oscar winning actors and jaw dropping cinematography, but if the story is some rehash of an idea that’s been done a million times or it’s just a shitty story, I’m unimpressed and so are other people.  This next bit is a little random.  Please, for the love of God, don’t start your horror short film with the killer or crazy person or whatever making a montage of pictures they’ve taken of their next victim or their victims.  In fact, avoid the making of the picture montage scene all together.  It’s been done about a gajillion times and it’s sort of lost it’s shock value at this point.  I’m sure you can come up with something much better anyway.

Sorry for not posting for awhile, I’ve had a busy week.  I was on vacation in Minnesota.  I’m back now and there’s a lot to talk about.  We’ll start off with the light stuff.  Me and my girlfriend have been watching a lot of the second season of True Blood.  That show is absolutely awesome.  I hate to say this, because it seems like after Twilight, everyone is jumping on the vampire band wagon, but it makes me want to write a vampire short.  It seems like the hardest part of doing something like that is making it not look cheesy.  Why?  Because not making it look cheesy is either going to cost you money or time.  Possibly both.  I’ve done one suspense based short film and I wasn’t too happy with it.  That’s all right, it was a good learning experience. 
Programming for the festival is going nicely.  My biggest issue with short films is time.  People try and tell a story in 10 minutes that could easily be told in 5.  The longer a short film is, the more obvious it is.  First off, let me tell you, if you’re making a 20+ minute short film it had better be brilliant.  It’s an immediate flag to see a short film that runs over 20 minutes.  The first thought is “This could be really bad.”  Mainly because I would rather sit through a bad 5 minute long short film then a bad 20 minute long short film.  I’m pretty sure I’ve said this before, so I’ll just move on.
NHL 10 comes out soon.  The only reason I mention this is because NHL 09 already consumes a large portion of my life.  I’m not really sure what’s going to happen when NHL 10 comes out.  I may lose a lot of sleep, which means I might miss a lot of work, which means I might get fired, which means I can’t pay my cable bill, which means they would turn off my Internet, which means I wouldn’t be able to post here anymore.  This is the reality of the situation.  Don’t judge me, it’s not my fault, I have an addiction.  If they had a ten step program, I would probably be a prime candidate.  By the way, that reminds me of one of my movie quirks.  I absolutely hate it when you have people playing a video game in a movie and they are button mashing like crazy on the controllers.  Why not just have them play the game with the audio off?  Then record the audio of the game some other time and then insert that audio in editing.  You would think that would be something that directors catch, but I see it all the time.  I’ve shot a couple things with people playing video games and every time I’ve been able to work with the audio and make it look like the actor/actress is actually playing the game.  Or you just record them playing the game with the audio on from the angle you’ll be cutting to that actually shows the game and then use that audio.  It’s really not that difficult. 
Moving on, we should be done with the audio for Do Nice Guys Finish Last possibly tonight.  We’ll see, I may not be able to tonight.  It would be nice to finish it up.  Vacation kind of put a stop to everything.  I really want that done by the end of next week.  As soon as it’s done, I’m going to send it away to 6 festivals.  Might get rejected, might not.  Either way, I’ll keep you guys all updated on what’s going on with that.
There are big things happening with JQP Entertainment itself.  We may have a new name soon.  Which means we would have a new web address.  I would actually probably keep this same design and everything, the only thing that would change would be the web address and logo in the upper left corner.  Actually this web address would probably link to the other one, so really there wouldn’t be that much of a change.  We are changing the way we do things and we all agreed that a new name is necessary.
I’ll probably be mentioning this every post from now until then, but the SoCal Film Festival is very close.  I’ll more then likely be attending every night, either with someone or alone.  It’s so close to me, it seems like a waste not to.  It kicks off Monday, 9/14/2009 but Censored isn’t playing until Friday.  Again, you can buy tickets here:
http://www.socalfilmfest.com/tickets.aspx
There’s just a lot going on with JQP Entertainment right now.  Way more then I can probably mention in this post.  I’ll let you guys know as new things come up.

Today Gabe might have the color corrected Do Nice Guys Finish Last.  We’ll see what happens.  It will either be today or sometime, early this week.  After color correction we’ll be working on transitions.  I don’t think that will take us too long.  Then we’ll do some slight corrections in audio.  I’m really not too concerned about the audio.  Mainly because I want it to have sort of a rough feeling to it.  Like an inexperienced boom mic operator was just chasing people around not really sure what he was doing.  It fits for this short film and I actually think it sort of adds to it.  As long as I’m aware of it, I think it’s ok.  I’m very excited about being done with Do Nice Guys Finish Last.  I always have a hard time telling everyone to just wait for the edit to be done.  I hate telling people to wait for us to be done editing.  Editing takes a long time and nobody except for me and Gabe sees the progress.  Of course, I can talk about it and post screen shots.  But you can’t really show anyone the short film until it’s done.  It’s a little frustrating, but I’ll live.
I saw Inglorious Bastards yesterday.  I loved that freaking movie.  I thought it was great.  You never quite know what you are going to get with Quentin Tarantino.  That’s what I like though.  His style is always changing and evolving, but his movies always have that Quentin Tarantino feel to them.  If you showed me a 100 unreleased films and one of them were a Quentin Tarantino film, I could probably tell you which one was the Tarantino film without looking at the credits.  Whenever I see a Quentin Tarantino film it remindes me to always make a Carl Keitz film.  Basically, make the short film or movie that I want to make.  What makes a Quentin Tarantino film so good, is that it’s a Quentin Tarantino film.  He always makes the movie that he wants to make.  That’s probably what every film maker should do.

So, I’m doing programming for a film festival.  I’ve only watched like 5 films or so and I’m already getting another perspective on this process.  First off, I now completely understand  why every book I read said to make things as simple as possible for the programmers.  You want them to be able to see your tracking number on the DVD.  You want them to be able to put the DVD in a DVD player and boom, the film plays without them having to take any extra action.  They don’t give a crap that you have a fancy DVD menu and they don’t care about the name of your production company.  If they have to take any particular extra effort to see your short film, you’ve already put a bad taste in their mouth about your film and they are more likely to recommend a rejection.  I’ve read all about this, but now it’s even more apparent.  Of course, I’m pretty obsessive, before I sent Censored to any film festivals; I read about 4 books on how to do it. 
Speaking of books, I just finished How Not to Make a Short Film by Robert Marie Munroe.  It’s a very slick and handy little book.  Especially the end which has a pretty extensive list of film maker resources.  Some of her favorites film festivals, production websites, and even a section for film making blogs.  It pretty much has it all covered.  It was a good read.  I’m kind of wondering what I should read next.  Probably a book about either sound design or cinematography.  I’ve read a couple books on cinematography, but it’s an interesting topic.  I really should probably tinker with my camera more.  Just to see what kind of interesting shots I can get. 
So, I have a new goal.  I want to enter Do Nice Guys Finish Last in Sundance.  Will it get in?  Probably not, but who knows, I could get lucky.  Worse thing they can do is send me a rejection letter.  Most rejection letters are pretty soft.  Like:
“We regret to inform you that your film was not selected for our festival.  But we encourage you to enter it in other festivals and keep making films because everything is relative and blah blah blah.”
It’s actually kind of nice.  What if you got one that was really harsh one day?  Like:
“I could sit here and drone on about how you should enter this in to other film festivals, but I won’t.  I’m actually the programmer and I’m writing you this specially to tell you to please not make any more short films.  This was so bad, I seriously considered shooting myself 2 minutes in, so I wouldn’t have to live through another waking moment of this boring and horrible excuse for a short film.  I’m serious, I loaded the gun.  If I pounded on a keyboard with my forehead for 20 minutes straight, the jargon that followed probably would have produced a better script then this bile.  What I have just watched was by far the stupidest thing I have ever seen.  I am now dumber after watching your short film.  If this world were just, you would be killed in some sort of horrific camera accident.  I used to like film, I really did, but your film was so bad, I’m afraid I’ll have flash backs and tremors if I ever watch another film again.  Like shell shock from soldiers coming back from Vietnam.  I hate you.  Please kill yourself.”
That would probably never happen.  If it did, I might cry.  That makes me really glad that they do the things the way that they do. 
Tonight, I’ll be down near the Huntington Beach Pier for the SoCal Film Festival Movies by the Pier event.  If you’re in the area, stop by and say hello.

The search for a mascot continues.  Current discussions focused around what exactly the mascot would mean and why I was doing this.  We also discussed squirrels and mice as possible mascots.  Wow, that all sounds so official.  I suppose this is part of me taking a break after finishing filming for Do Nice Guys Finish Last.  I usually do that.  I wish I didn’t have to, but it does make everything more exciting when I start on my next project.  I have been writing here and there, but I haven’t really worked on anything major.  I really want to shoot in HD next.  I keep telling myself that once I get an HD camera that shoots 24 FPS I’ll be good from then on.  I know that’s not the case though.  As I have said in previous posts, I’ll always be chasing some new billion dollar thing that does something better then my current equipment.  I like to consider myself a budget friendly film maker.  I usually make what I have work.  That doesn’t really come out of ingenuity though, it’s more of a necessity.  Like when we built the jib arm for Red Hood.  I could have rented one for $2500, but I didn’t have that kind of budget.  So, I built one for just over $100.  It worked and now I have a jib arm.  Building stuff is always a cheap way out.  Plus, it’s kind of interesting to see what Gabe can come up with.  Or some random guy who posts blue prints on the Internet.  We built a steady cam off of the Internet.  We called it the Raminator.  It worked pretty good.  It’s kind of heavy and weird, but that’s kind of the point.  It’s supposed to add weight to the camera at a lower point to help stabilize it.  It worked for what we wanted to use it for.  Back to my original point, the mascot.  The mascot has to do with changing the name of the company.  Also, I want something kind of fun to put at the end of the credits that people will remember.  That’s pretty much it.  I really thought that there was more to it then that, but I guess not. 
Gabe tells me that the color correction for Do Nice Guys Finish Last is tedious, but he’s making progress.  Once the color correction is done the transitions will be a snap.  The credits are all ready to go.  So, we’re not too far off.  There’s not that much color correction to be done.  For a lot of the scenes, Gabe stuck with one camera.  It just flowed better that way. 
I watched a bunch more of the first season of True Blood last night.  Awesome series, but I stand by my belief that vampires are dicks.  I also got Dexter Season 3 on DVD earlier this week.  I’ve only watched the first episode, but holy shit that show is awesome.  I can’t stand watching shows on TV, I have to wait for them on DVD.  I think it’s the cliff hangers that really aggravate me.  There have been a couple times in True Blood, where if I wasn’t able to go to the next episode immediately, I would have lost my freaking mind.  Same with Dexter, although Dexter usually has a pretty good ending to each episode that leaves you satisfied.  Heroes plays the cliff hanger game a lot.  The worst by though is Lost.  I watched season 1 on DVD and decided to watch season 2 on television.  Every single episode I watched ended with me yelling “Jesus Christ!  What the fuck?!”  I only watched like 4 of them before I finally gave up and just waited for the DVD’s.  The thing with Lost is, is that they show you a preview the week before and you’re excited to see this one thing in the preview, then you watch it, and of course, that one thing is at the end of the episode.  But then that’s all it is.  There’s no explanation of it.  It just sort of happens.  Then you have to wait for an entire week to see every ones reaction to that one thing, which is what you wanted to see last week.  Season 5 comes out in December and I’ve been keeping up with it.  I love that show, I think it’s great, but screw those writers.

I went on a bit of a writing binge last night.  For some reason a script I had an idea for has been popping in to my head a lot.  So, I sat down and started writing it last night.  The whole entire thing has sort of a smart ass tone to it.  I meant for it to be a series, but it’s kind of shaping up in to a movie.  It’s called Dead Girl and it’s kind of fun to write because I haven’t planned anything.  I just sort of sit down and write what ever comes to mind.  I’m not putting any pressure on myself to make it spectacular.  I’m just writing it.  It would be nice to have a full on movie script.  If I were a script writer, I would submit scripts to festivals like crazy.  Printing a script out costs you maybe a dollar.  In fact, I think a lot of festivals will accept an E-Mailed PDF.  Which is no shipping cost, no printing cost, and more importantly no production cost.  Plus, I can’t think of a better way to get a script out there.  If I finish Dead Girl, I’ll send it out to every script writing competition I can find.  Why not, right?
Censored was rejected from the Gangrene Film Festival yesterday.  This is only it’s 2nd rejection and it really only brought me down for roughly 20 seconds.  Mainly because there are about a million festivals out there and if I really wanted to, I could probably get in to another 4 by next month.  However, my focus is on Do Nice Guys Finish Last right now, which honestly, will probably have a much higher rejection rate then Censored.  So, it’s probably a good thing to be developing this tough skin at this stage.  The first rejection letter I got, really got to me.  I was upset about it for like a week.  This time it was 20 seconds.  Maybe next time, I won’t feel a thing.  It’s not that I don’t think Do Nice Guys Finish Last is going to be great when it’s done, it’s just that it’s sort of fighting an uphill battle.  It’s 15 minutes long and very offensive.  That’s pretty long for a short film and I’m guessing that film festivals want to appeal to a wider audience, so they kind of attempt to stay in the PG-13 area.  It doesn’t really matter to me though.  We made the film that we set out to make.  Worst case scenario?  I have a short film that I’m proud of to post on my web site.  Plus, I still have the SoCal Film Festival to look forward to.
By the way, Gabe just threw (literally) me edit six of Do Nice Guys Finish Last.  I think this might be our final cut.  We’ll see.  I’ll have to check it out tonight.  I really want it to be our final cut.  The last edit had very minor changes in it.  So, I’m pretty sure it’s almost there.

You know you’re done editing when you feel like if you watch your short film one more time, you might have a mental break down.  It’s mainly just frustrating because we are so close to being done with Do Nice Guys Finish Last.  I made my notes on the 5th cut last night and I was seriously considering telling Gabe to just start on color correction when he was done making the edits.  But, I can’t do that.  You know why?  Because when it’s done, there will be one tiny thing that irritates me that could have been fixed in 2 seconds if I had known it was there.  However if I do look at the draft before we get in to color correction, nothing will be wrong with it and it will be fine.  That’s just how it goes. 
So, about a week ago, a friend of mine is telling me about her good friend that shot a documentary on 5 of these cameras.  She didn’t know what they were called, but she told me they were the newest and best digital cameras out there.  So I said
“Ask you’re friend if I can borrow it for like a week or so.”
She laughed and I laughed but then I said
“I’m serious.”
So, she did and from what she told me he laughed, said no, but admired me for asking.  Works for me.  It was worth a shot, right?  Imagine if he had said yes?  I would have had access to a really awesome camera.  For free.  It never hurts to ask.  You would be surprised at what you could get for free by just asking.  Not that I’m a greedy beggar or anything, but when you’re making films anything you can get for free, you probably should. 
District 9 comes out tomorrow.  I’ve really wanted to see this movie ever since I saw the previews.  It looks a little bit like Cloverfield, which I thought was pretty good.  District 9 looks awesome.  I love these sort of creepy sci fi pictures.  I’m not sure what really draws me to them.  I’m not a sci fi or horror film buff, but for some reason this sort of combination is usually something I really enjoy.  I’m probably going to check it out this Sunday.  I’ll let you guys know how it is.
In a totally unrelated topic, Tropic Thunder was an awesome movie.  I have been quoting that movie all week and laughing just thinking about it.  Tom Cruise was hands down the most entertaining I have ever seen him in any movie he’s ever done.  Every single time his character was on screen I laughed my ass off.
“Now I want you to take a step back… and literally FUCK YOUR OWN FACE!”
Robert Downey Jr. kills it in that movie too.  The
“I’m a lead farmer mother fucker!”
line always cracks me up.  Maybe because it’s just so damn cliche action movie.

You may remember that Censored was selected to screen at the SoCal Film Festival.  This morning they released the festivals schedule.  You can view the entire schedule here:
SoCal Film Festival Schedule
Censored is playing on 9/18/2009 in the 7:20PM block.  First of all, that’s a Friday, which is awesome.  I don’t know if it’s luck or what but Censored almost always gets put in the most awesome time slot.  It’s either on a weekend or later on in the night on a weekday.  For this festival you buy tickets for programs.  Each program has a different block of films.  Censored is playing in Program 10.  So if you want to go, be sure to buy tickets for Program 10.  I’m playing with:
9mm Brush
Couched
How to Train Your Pet
Jimmy String bean vs the Rock God of the Cosmos
Love Bombing
Make Art, Save World
Piper & Tupper – Hands Free Born to be Wild
Special Delivery
The Amazing Esca-ciser
The Family
Twirl
I know nothing about any of these, but they all sound amazing.  I’m probably going to be attending this festival quite a bit.  Mainly because it’s so close to me.  I’m kind of curious about what other people are up to in short film making. 
In other news, I reviewed the 5th draft of Do Nice Guys Finish Last.  There are still some minor cuts here and there.  It’s kind of frustrating being this close to the finish line, but what are you gonna do?  We’ll be done soon enough.  I definitely have to make notes on the new draft tonight.  I think this might it.  Watching it, there’s really not much else I can change or things that I’m really displeased with.  I think it has a nice pace, it’s funny when it’s supposed to be, and all the fat is cut.  It’s very to the point and moves along quickly.  I think that’s exactly how this short film should be.

Sorry for the lack of posting this weekend.  The Internet at my house went down again.  I should be getting draft number 5 of Do Nice Guys Finish Last from Gabe tomorrow.  I’m really looking forward to being done with it.  I want to start sending it to festivals already.  I have several friends and family members who bug me about seeing it almost every day.  I’m still not going to rush it though.  We’ll be done with it when me and Gabe both agree that it’s done.  In the mean time, we have been working our asses off on it.  I really believe in getting what I want out of a short film.  Just never saying “it’s good enough.”  If something doesn’t look or sound how I want it to, I’ll re shoot it.  I believe that if you’re a film maker, you should always make the film that you want to make.  Screw what the critics say, screw what other people say, you’re making this short film, make it however you want.  If you do that, it doesn’t matter if other people like it or not.  You made the film that you wanted to make and that’s that.  Of course, other people liking it is a nice added bonus.  I always wanted Do Nice Guys Finish Last to be something that’s funny because it’s true.  That’s part of the reason I made it a mockumentary, to sort of bring people back to the fact that it’s based on a realistic principal.  Plus it was a damn good time filming it.  It’s kind of cool, there’s so much you can get away with in a mockumentary.  A boom mic enters the shot?  O well, that happens in documentaries all the time.  An actor stumbles over their lines?  O well, people stumble over their words sometimes in reality, it happens.  The scene is too dark?  O well, sometimes rooms are dark.  It’s not that it’s an easy out, it’s just that there’s so much room to play.  All of this in Do Nice Guys Finish Last if it does make it in is intentional.  We wanted portions to have a little bit of boom mic in them just to cement the fact that the characters know that there are cameras and everything there.  It’s kind of weird placing these imperfections here and there, but it’s kind of fun at the same time.
I’ll keep you guys updated on the progress of it.  Right now, it’s looking pretty good.  We’ll probably have a final cut around next week.  Then we get in to the exciting world of color correction….. Yay.

The Internet at my house is back up.  I’m not sure how it broke, or what was wrong with it, but the Internet company had to send a signal through to fix it.  When you’re someone like me, losing Internet is one of the worst things that can happen.  Seriously, it was really bad yesterday.  Last night, I’m sitting there messing with it and a couple times in the middle of it I thought to myself “I can fix this, I just need to look it up on the inter-  …..O yeah.”
I have a lot to talk about today.  Mainly, I want to talk about the new cut of Do Nice Guys Finish Last.  The way me and Gabe have been working on this is that he gives me the cut, I make notes on it, then hand them back to him to make the changes or corrections.  We are currently on draft number 4, soon to be on 5.  I have the 4th cut with notes on it all ready for him.  Once we have a final cut, we’ll do some color correction, and then transitions.  Transitioning from 1 scene to another is a big deal for this short film.  There are some scenes that make huge jumps in time in the same setting.  The only way to show that jump of time is through a transition.  It if goes from a straight cut, people are left sitting there thinking “What the hell just happened?”  I’m going to be doing some research on transitions later on this week.  I showed Do Nice Guys Finish Last to someone besides me and Gabe yesterday.  I was very happy to see that she laughed at all the right times.  She actually made a comment that really just pin pointed what I was going for.  She said “It was really funny, but it’s kind of true.”  That is exactly what I was looking for with this short film.  I wanted people to watch it and not only laugh because it was funny, but laugh because it was true.  Almost like a George Carlin stand up act.  What he says is hysterical, but the main reason it’s so hysterical is because it’s sort of true.  That’s what I was looking for.  I think maybe Do Nice Guys Finish Last is going to be better then I originally thought.  The audio and lighting are already all a step above everything else we’ve done.  I’m really looking forward to this being done and I can’t wait to start sending it to festivals.
On to the Project X news.  I got a script from the script writer last night.  I haven’t read it yet.  Something went wrong with the file format so I can’t exactly open it just yet.  But it’s awesome that I got it.  I should be getting another copy of it sometime today or tonight.  If this works out, this will be the first time I’ve directed something that someone else has written.  Actually, that’s not true.  I’ve directed one other thing that someone else wrote, but nothing really came of it.  So, it doesn’t really count. 
I’m still waiting to hear back from 3 other festivals.  I’m getting a little nervous.  The screening dates for those are pretty close already.  I figured I would have gotten some sort of rejection or acceptance letter by now.  I suppose if the film festival happens and my short film doesn’t play there, then it was rejected.